Originally Produced for the New York stage by: Arielle Tepper and Marty Bell
Originally Produced by: Northlight Theatre Chicago, IL
Overview
Production Team
Actors
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A contemporary song-cycle musical that ingeniously chronicles the five year life of a marriage, from meeting to break-up... or from break-up to meeting, depending on how you look at it. Written by Jason Robert Brown (Parade, Songs For A New World), The Last Five Years is an intensely personal look at the relationship between a writer and an actress told from both points of view.
Cathy and Jamie's relationship has lasted five years. As the story begins, Cathy is at the beginning of the relationship and Jamie is at the end. With inter-cutting scenes, we watch Jamie move forward in time as Cathy moves backward ("Still Hurting").
Cathy has just found a note from her husband, Jamie, signifying the end of their marriage. While she still struggles with their break-up, she feels he has easily moved on without her.
Five years prior, Jamie has just met Cathy. He is soaring from the high of it. He recounts his past relationships, feeling as if he's been waiting for her all his life ("Shiksa Goddess").
Cathy (moving backwards) is hopeful for the healing of their marriage. Jamie has come to meet her in Ohio where she has been working as a performer ("See I'm Smiling"). She believes he will see her show and they will be able to spend time together. Though it's her birthday, she is let down when he has to leave earlier than expected for a party back home.
After their first date, Jamie has made a phone call to a potential literary agent-a contact made through his college professor. Unbelievably, this agent seems interested in his work. He is 23 years old. Soon his career begins to soar and Jamie decides he wants to move in with Cathy. His life is moving at top speed, but no matter. He's living the way he wants to ("Moving Too Fast").
Catherine's career is struggling. She's been turned down by a theatrical agent. As she waits patiently during a book signing of Jamie's someone asks her what it's like to be married to a famous author. She expresses how she rides out his manic writing spells where he completely shuts her out emotionally then suddenly lets her back in ("I'm A Part Of That").
It's their second Christmas together and Jamie reads a story he wrote for her ("The Schmuel Song"). It is intended to inspire her to go out and pursue her dreams of becoming an actress. He tells her to quit her day job and go and be happy. He also tells her how lucky he is to be in love with her.
Cathy has gotten a summer stock job in Ohio. The situation is less than desirable, but she's trying to make the most of it. Meanwhile, Jamie is back in New York, his latest book a bestseller. Cathy writes a letter to Jamie as she anxiously awaits his visit ("A Summer In Ohio").
Jamie is alone prepping himself to propose to Cathy. She appears in her wedding dress and meets him at the altar. Physically together for the first time during this show, they exchange vows and promises of an undying love ("The Next Ten Minutes").
Jamie, now married, begins to feel the temptation and attraction of other women he meets at parties. His success has made him the center of attention, and though he feels the pull, he loves Cathy and believes his marriage will remain strong ("A Miracle Would Happen"). He calls Cathy who is out of town working, and promises to meet her as soon as he can escape his publisher. Cathy has just auditioned for and gotten another job ("When You Come Home To Me").
Cathy shares with her father the stress and difficulty of daily auditioning and daily rejection ("Climbing Uphill"). At another audition, she flounders as a million different things about her life with Jamie race through her head. She is determined, however, to have her own career and not live in the shadow of her now-famous husband. Jamie is doing a reading at a bookstore. The passage he reads is a metaphor for Cathy's drive and the feeling of his isolation from her.
Jamie is in the middle of a fight with Cathy. He has just gotten a book published and wants her to go to the party the publisher is throwing for him. She refuses. He doesn't feel supported by her and does not understand why she is angry ("If I Didn't Believe In You").
Cathy is driving Jamie to meet her parents. She is happy and excited and talks about her disappointments of the past in contrast to her bright future with him ("I Can Do Better Than That").
Jamie wakes up beside another woman. He knows he must go see Cathy in Ohio. Fighting panic and a feeling of inevitability, he admits to the other woman that he has fallen in love with her ("Nobody Needs To Know").
Cathy floats on air at the end of her first date with Jamie. They have shared their first kiss and she wants the magical moment to last forever. She bids him goodbye until tomorrow. At the same time, Jamie ends their relationship. He simply bids her goodbye.
Mollye Maxner (Director / Choreographer) is the Artistic Director of kicking pig productions, a movement-theater company whose work has been produced in the US, Turkey, Taiwan, Germany, and the Republic of Georgia. Her directing work includes Mary’s Wedding and Master Harold and the Boys (kicking pig productions); Reading By Lightning, an original work premiered in NYC in 2007; and original plays for the Open Dream Ensemble. Mollye was Assistant Director at the Humana Festival of New American Plays (2010) and at the Eugene O’Neill Theater Center (2008). She assisted Jeremy Skidmore on the Helen Hayes Award winning production of Kushner’s Angels in America: Millenium Approaches in DC (Forum Theater 2010); John Langs on The Shaggs at Playwrights Horizons (2010); and on two Kennedy Center productions: Knuffle Bunny, by Mo Willems and Barrio Grrrl, by Quiara Alegria Hudes. Dramaturgical work includes Drinking Ink, written by Nancy Bannon. Maxner is the recipient of the Kenan Fellowship at the Kennedy Center (2009-10), a Massachusetts Cultural Council Artist Grant in Choreography (2005), a DanceWeb Europe Scholarship for Vienna’s ImpulsTanz Festival (2004), and numerous other grants from the Northampton Arts Council, the Semans Art Fund, and the US Embassy in Turkey. Mollye received a BA summa cum laude in Choreography and Playwriting from Mount Holyoke College, and a BFA in Drama/Directing at the University of North Carolina School of the Arts, training under Gerald Freedman.
Michael McGushin (Music Director) is a professor of music at Cabrillo College and coach/accompanist for the UCSC Music Department. He is well known in the Santa Cruz area as a pianist, composer and conductor. He is currently the conductor of the chamber choir Ariose Singers and of Cabrillo College’s Westside Choir. He has served as Music Director for productions with Cabrillo Stage (Little Shop of Horrors, The Fantasticks, The Music Man), Shakespeare Santa Cruz, and the UCSC Opera Theater. Michael has performed regularly with New Music Works since 1985, and is a frequent performer
Dustin Leonard (Managing Director/Production Manager) has had the honor of working with Cabrillo Stage since 1998, including Annie, Honk, Peter Pan, Music Man, Scrooge, Forever Plaid, Jesus Christ Superstar and The Wizard of Oz, just to name a few. Dustin has directed, produced and starred in a number of shows in the Monterey Bay area, most recently directing Little Shop of Horrors and West Side Story for Cabrillo Stage. Dustin’s diverse directing credits include The Laramie Project, Lord of the Flies, A Midsummer’s Night Dream, Cyrano de Bergerac, The Outsiders and Romeo & Juliet. Dustin has managed and produced diverse shows such as A Street Car Named Desire, A Christmas Carol, Art, Carousel and many more. A versatile performer, Dustin has been in shows as diverse as Shakespeare’s R&J to Guys And Dolls. Dustin’s most beloved performances on stage have been Mercutio in the return of the West Coast premiere of Shakespeare’s R&J, Jeff in The Sum of Us, Mark in Mass Appeal and the Barber in Cabrillo Stage’s Man of La Mancha. His Musical Direction & Scenic Design credits include West Side Story, Honk, Annie, Crazy for You, The Wizard of Oz, The Sound of Music, Fiddler on the Roof and Oliver.
Katie Key (Assistant Production Manager / Stage Manager) first experience with Cabrillo Stage was as Deck Manager for the 2007 season’s Kiss Me Kate. She has previously Stage Managed Forever Plaid at Cabrillo and is thankful and excited to be involved with Cabaret. Other productions Katie has Stage Managed include When Things Stopped, Nora and The Moon Came Down. Katie has designed lights for Sweeny Todd, The Pillowman, Once On This Island, Woyzeck, Weren’t You That Girl, Giants, Nijinsky in Asylum, The General of Hot Desire, Iphigenia 2.0, and Mountain Language. She has written and directed the show’s Breech, Have a Brownie, and I Need. Her other directing work includes My California, Crave, The Importance of Being Earnest, Suddenly Last Summer, Enchanted April, and The Crucible.
Patrick Klein (Scenic Designer) is thrilled to be working with Cabrillo Stage again. Patrick’s last tour of duty in Aptos was as Production Stage Manager for the celebrated production of Jesus Christ Superstar. Prior to that Patrick performed three times at Cabrillo Stage in Some Like It Hot, West Side Story (Lt. Schrank), and Guys and Dolls (Lt. Brannigan). His local scenic design credits include Sunset Boulevard, The Drowsy Chaperone, Rent, Altar Boyz, Cabaret, Tommy, Little Women, Little Shop of Horrors, and many others. Patrick would like to thank Jon and Dustin for their confidence, and his beautiful wife Izetta and twins Parker and Austin for being such an inspiration.
Kevin Johnston (Light Design) has been designing lights in Santa Cruz County since 1997. Some of his favorite local shows include Fiddler on the Roof, Singin’ in the Rain, A Streetcar Named Desire (Mountain Community Theatre) Cabaret (Bay Shore Lyric Opera) Jungle Book (Little People’s Repertory) and The Pajama Game (Monterey Bay Repertory). While studying at the University of Southern California School of Theatre he designed lights for Falsettos, Equus, Rimers of Eldritch, Waiting for Godot, Extremities, Savage in Limbo, and Private Eyes. His NYC designs include Beware Bernadette! (Harmony Theater Group) Cut Loose (Naganuma Dance/Hydroflo) and A Brooklyn Nutcracker (Brooklyn Music School). He has been involved with Cabrillo Stage since 1999 as an actor, sound engineer, monkey flyer, and master electrician. He is currently the theater manager at his alma mater, Aptos High School.
Christina Dinkel (Costume Design) is a local costume designer and is excited to design her first production with Cabrillo Stage! Christina is currently completing the 5th Year Graduate Program at the University of California Santa Cruz where she received her B.A. in Theatrical Design in Art Historical Context. Christina’s undergraduate design work won her the Dean’s Award for excellence in the Arts and recently won her the Florence French Scholarship as well. Her most recent work includes the costume design for the world premiere of Mary-Kay Gamel’s Orestes Terrorist, the production design for Shakespeare to Go’s The Comedy of Errors, and the costume design for Jewel Theatre Company’s Of Mice and Men. Christina was also the designer for Danny Scheie’s HAIR: The American Tribal Love-Rock Musical last spring. In addition to her continuous design work at the University, Christina has worked with Shakespeare Santa Cruz, Jewel Theatre Company, Asolo Repertory Theatre, San Jose Repertory Theatre, MPC Theatre Company, and is now pleased to announce Cabrillo Stage as well!
Michael Meek (Sound Design) This is Michael’s first semester with Cabrillo Stage. He is a student in the music department at Cabrillo College and is the teaching assistant for the recording arts program. He has been the intern to the engineer at Kuumbwa Jazz for the past year. Michael has worked as the ASM for La Jolla Playhouse’s 2004 production of Continental Divide: Mothers Against and Daughters of the Revolution. He is a drummer and sound engineer, and is pleased to be on the production team for The Last Five Years!
Ron Koinzan (Technical Director / Master Carpenter) is a California native who is very happy to be returning for his 9th season with Cabrillo Stage. During his time at Cabrillo Stage he has served as a Carpenter, Master Carpenter, Technical Director, and Rigger. Among his favorite professional experiences were serving as the Technical Director for Cabrillo Stageճ productions of Honk!, Little Shop of Horrors and Kiss Me Kate. When not working for Cabrillo Stage, Ron is the Technical Director at the University of Northern Iowa were he is starting his 4th year of employment. Some of his past credits include serving as the Technical Director for the University of Nebraska at Kearney, the Production Manager/Technical Director for the Opera Program at the University of Nebraska, Lincoln, Nebraska Repertory Theatre, The Redwood Curtain and Sacramento Theatre Company.
Ariel Buck (Catherine Hiatt) is thrilled to be returning to Cabrillo Stage, having appeared in this year’s remount of I Love You, You’re Perfect… (Woman 2) as well as last year’s original production. Other Cabrillo Stage credits include: Scrooge (Mrs. Cratchit/Christmas Past) and 2007’s Little Shop of Horrors (Audrey). Regional credits include: Fox/Snake in The Little Prince (Tabard Theater) Mother in Ragtime (Marquee Productions) Meg (understudy) in A Christmas Carol (NorthShore Music Theatre), Ruth in Plain and Fancy (The Barn Theatre) and two years in Encore! at Tokyo Disney Sea in Tokyo, Japan. Ariel holds a BFA in Theatre from The Boston Conservatory and is currently pursuing her interest in coaching and teaching.
Andrew Ceglio (Jamie Wellerstein) is honored to be back with Cabrillo Stage after appearing as The Scarecrow in last season’s The Wizard Of Oz. Favorite past roles include: Jon in Tick, Tick…Boom with Theatre On San Pedro, Tateh in Ragtime with Marquee Productions, Seymour in Little Shop… with Cabrillo Stage, Man #2 in Songs For A New World with Odyssey Theatre, Willy Wonka in Charlie & The Chocolate Factory with Tabard Theatre, and Snoopy in Charlie Brown with Jewel Theatre. Aside from his work on the stage, Andrew is also an active voice over artist and can be heard on a number of video games for the Xbox, Playstation and Nintendo DS game consoles. Some credits include: Redmond in Whiplash, Jake in Time Crisis 3, Hyuga and Shizuru in Phantasy Star Universe and Sgt. Hatter in Virtual On Marz. Andrew would like to thank the amazing staff at Cabrillo Stage for all of their hard work, dedication and support. Also many thanks to the family and friends who continue to support him in his artistic endeavors.